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Oil Paintings Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists.

Walter Crane
English Golden Age Illustrator, 1845-1915 English painter, illustrator, designer, writer and teacher. He showed artistic inclinations as a boy and was encouraged to draw by his father, the portrait painter and miniaturist Thomas Crane (1808-59). A series of illustrations to Tennyson's The Lady of Shalott (Cambridge, MA, Harvard U., Houghton Lib.) was shown first to Ruskin, who praised the use of colour, and then to the engraver William James Linton, to whom Crane was apprenticed in 1859. From 1859 to 1862 Crane learnt a technique of exact and economical draughtsmanship on woodblocks.

 

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Walter Crane Mrs.Walter Crane oil painting

Painting ID::  11829

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Walter Crane
Mrs.Walter Crane
1882 2' 7'' x 1' 10''(79 x 56 cm)
   
   
     

 

 

Walter Crane The Horses of Neptune (mk19) oil painting

Painting ID::  22288

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Walter Crane
The Horses of Neptune (mk19)
1892 Oil on canvas,86 x 215 cm Neue Pinakothek,Munich
   
   
     

 

 

Walter Crane Self-Portrait oil painting

Painting ID::  27117

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Walter Crane
Self-Portrait
mk52 1912 Oil on canvas 91x68.5cm Uffizi,Florence
   
   
     

 

 

Walter Crane Diana and Endymion oil painting

Painting ID::  28025

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Walter Crane
Diana and Endymion
1883 Oil on canvas 55.2 x 78.1cm (21 3/4 x 30 3/4 in) McManus Galleries Dundee (mk63)
   
   
     

 

 

Walter Crane The Renaissance of Venus oil painting

Painting ID::  28347

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Walter Crane
The Renaissance of Venus
1877 Tempera on canvas 138.4 x 184.1 cm(54 1/2 x 721/2 in) Tate Gallery London (mk63)
   
   
     

 

 

Walter Crane The Swan Maidens oil painting

Painting ID::  86324

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Walter Crane
The Swan Maidens
Date 1894(1894) Medium Oil and mixed media on paper Dimensions 20.00cm wide, 27.20cm high cjr
   
   
     

 

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Walter Crane
English Golden Age Illustrator, 1845-1915 English painter, illustrator, designer, writer and teacher. He showed artistic inclinations as a boy and was encouraged to draw by his father, the portrait painter and miniaturist Thomas Crane (1808-59). A series of illustrations to Tennyson's The Lady of Shalott (Cambridge, MA, Harvard U., Houghton Lib.) was shown first to Ruskin, who praised the use of colour, and then to the engraver William James Linton, to whom Crane was apprenticed in 1859. From 1859 to 1862 Crane learnt a technique of exact and economical draughtsmanship on woodblocks.